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		<title>A History of Canadian Dreams: Our Family Likes Weather</title>
		<link>http://www.johnwallbarger.com/?p=330</link>
		<comments>http://www.johnwallbarger.com/?p=330#comments</comments>
		<pubDate>Fri, 23 Apr 2010 07:30:03 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=330</guid>
		<description><![CDATA[as my Aunt Ruth used to say. Thunder &#38; lightning each night at the hill stations. Lightning in the mountains over Dharamsala, originating (I like to imagine) in Tibet. At a rest stop on the night bus to Manali, over a constant roar of thunder, my mother &#38; I watch lightningbolts split the sky, like [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">as my Aunt Ruth used to say. Thunder &amp; lightning each night at the hill stations. Lightning in the mountains over Dharamsala, originating (I like to imagine) in Tibet. At a rest stop on the night bus to Manali, over a constant roar of thunder, my mother &amp; I watch lightningbolts split the sky, like white veins of a god.</p>
<p style="text-align: left;">Yesterday, pouring rain in Manali. Cold. Today, hot springs! In the open-air grey-walled pool for gents, Ganesh the elephant god of prophesy presides from within a white stone, all of us in underpants, wading the grey steaming water, sulphurous-smelling, a slight stink of matches, so hot my skin goes pink soon as I get in, &amp; I am stoned from the heat of it. About twenty-five of us in total, bathing, feet-washing, in yoga postures, chatting, or just breathing. The father of a family from Mumbai owns a neat mustache, eyes me from the centre of the pool, &amp; exclaims, throwing up his hands, “India climate!” We look up at the ominous El Greco clouds. A sadhu with black beard &amp; long hair drifts past in the water like an otter, then vanishes underwater for a long time. He climbs out slow onto the edge tiles &amp; holds a tricky yoga pose, his hairy brown skin steaming. His eyes are dark &amp; powerful &amp; give away nothing. They are beautiful.</p>
<p style="text-align: left;">Two children, girl &amp; boy, appear at the top of the wall beside us &amp; peer down with brown cherubim faces. They drop white rose petals on us, from a bush up there, which float down like snow onto the sadhu &amp; the Mumbai family &amp; the water. They also let fall an orange mask, by mistake, which hovers in the water face-up for a minute. The Mumbai father puts it on and takes the fierce bow-&amp;-arrow position of a god, &amp; the children laugh. He tries to throw the mask back up to them but it’s too light, &amp; after two tries gives up, waving his hand in dismissal.</p>
<p style="text-align: left;">Off to Banff in a few days—another odd mountain town, other side of the world—for a third cool springtime. Goodbye to my lovely friend, Tiina! Hello Canada, first time this year. I have no idea what to think of this. I plug my nose, shut my eyes, &amp; submerge myself in the murky holy water beside the sadhu.</p>
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		<item>
		<title>A History of Canadian Dreams: Dharamsala</title>
		<link>http://www.johnwallbarger.com/?p=320</link>
		<comments>http://www.johnwallbarger.com/?p=320#comments</comments>
		<pubDate>Mon, 19 Apr 2010 07:27:15 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=320</guid>
		<description><![CDATA[In a grimy parking lot at Majnu ka Tilla, the “Tibetan settlement” of Delhi, an Indian man staggers toward me to reveal his Jeans cut across the right thigh &#38; a brace stabilizing his withered twisted leg, he holds out his right palm smiling big &#38; says “Home leet!” but I am threadbare &#38; stomach-sick [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">In a grimy parking lot at Majnu ka Tilla, the “Tibetan settlement” of Delhi, an Indian man staggers toward me to reveal his Jeans cut across the right thigh &amp; a brace stabilizing his withered twisted leg, he holds out his right palm smiling big &amp; says “Home leet!” but I am threadbare &amp; stomach-sick so I smile weakly &amp; remind him I already gave him rupees back at the street vendor but he just repeats “Home leet!” &amp; I wonder if its “<em>One</em> leet” he’s saying &amp; that maybe a leet is a few rupees &amp; I shake my head <em>no</em> but his teeth are flat &amp; big &amp; white &amp; he smiles like a dog on its back, obsequious &amp; desperate, &amp; he is pointing to a little vendor, “Home leet!” &amp; I say “Omelet! You want an omelet?” &amp; he nods &amp; nods, grinning joylessly.</p>
<p style="text-align: left;">
<p style="text-align: left;">I meet my lovely mother at the airport. She is wide-eyed, drinking in all she sees, taking slow pictures of chaotic broiling Delhi (now over 40 degrees) &amp; Najafgargh with the great patience that has always provided balance to my father &amp; me. On our morning train ride north, toward the hill stations, crossing Punjab’s endless fields of sun-golden wheat, the heat rises &amp; our car overpacked with Sikh boys &amp; Hindu grandmas wilts. My nausea has passed, but I am still weak.</p>
<p style="text-align: left;">
<p style="text-align: left;">In the evening we arrive at Dharamsala to meet Tiina. She studies Tibetan buddhism &amp; has lived a year of her life here, home of the exiled Tibetans &amp; the Dalai Lama, who attends tonight a high-profile cricket game (between the Punjab Kings &amp; the Deccan Chargers) that has brought half of India to Lower Dharamsala this week. MacLeod Ganj, the upper village, is such a cool &amp; calm relief after Delhi. We eat breakfast (chocolate pancakes, fruit &amp; honey with curd, filtered coffee (ie not Nescafe!)) on a balcony at Carpe Diem, the Nepali place, with a clear view of the Kangra Valley below the Dhauladar  Mountains. It’s breathtaking here, the servants&#8217; entrance to the Himalayas. Hillside houses, nestled shyly between coniferous trees, festooned with miles of bright prayer flags, are yellow &amp; pink &amp; blue &amp; white. A hawk circles very close &amp; slow at eye level. A small brown monkey descends calmly the drainpipe of an adjoining rooftop.</p>
<p style="text-align: left;">
<p style="text-align: left;">Still, I’m holding on a little tight. I can’t get that fella’s smile out of my head, the one with the sad leg. On Bhagsu Road an Indian man squatting on a low roof offers my mother &amp; me hash. “No thank you,” I say. “What did he say?” my mother asks. She is taking pictures of two Tibetan women carrying great loads up a steep winding stairwell. A monk with a devilish twinkle drifts past carrying a flat of eggs.</p>
<p style="text-align: left;">
<p style="text-align: left;">This is a complicated place. The mix of people laying claim is precarious. There are the Indians from this region, Himachal Pradesh; the Tibetans who were born here &amp; speak Hindi &amp; intermarry; the newly-arrived from Tibet Tibetans, who often marry westerners &amp; move to Europe or Australia; the drug-addled Tibetans; the loveable Tibetan monks, in bright reds &amp; yellows, with mobile phones &amp; sharp sneakers, who always seem to be chuckling to themselves or kicking a ball with children; the Indian beggars squatting along the road empty-handed or sliding a bow across a dusty zither; the bougey tourists with expensive luggage, noses in their <em>Lonely Planet </em>guides; the hardened travelers in kurta pyjamas &amp; dreads &amp; dangling earrings &amp; muddy sandals, with faroff looks, from no country any more. This <em>masala</em> of beings is a bit like the minor traffic jams that happen  on stairwells, between dogs &amp; monkeys &amp; cows &amp; goats &amp; chickens.</p>
<p style="text-align: left;">
<p style="text-align: left;">Last year somebody set fire to a bunch of motorcycles, &amp; the Indians blamed the Tibetans &amp; attacked Tibetan shops, smashing their figurines &amp; bells. A few years back a Tibetan nun was raped. Recently, a tourist’s head was found in the underbrush of Upper Bhagsu.</p>
<p style="text-align: left;">
<p style="text-align: left;">About 100 years ago there was an earthquake at MacLeod Ganj that leveled it. Some Tibetans believe that the presence of the Dalai Lama prevents another such. But this place—so peaceful &amp; violent, such a great example of integration, with all the pain of wounded India &amp; these exiles shored against the mountains—is a kind of mirage. One shudder wipes the slate. Because we hurt we understand. I really think I should’ve bought that fella an omelet.</p>
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		<item>
		<title>A History of Canadian Dreams: Cremation at “Expensive” Station, Pashupatinath Temple</title>
		<link>http://www.johnwallbarger.com/?p=300</link>
		<comments>http://www.johnwallbarger.com/?p=300#comments</comments>
		<pubDate>Fri, 09 Apr 2010 10:51:01 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=300</guid>
		<description><![CDATA[untranslatable voices on the Bagmati, the river a smog-trickle, they lift you roughly in your orange robe out of the white coffin, dip your smooth feet into the current of grey bilge, upstream a woman washes her feet, they touch your hair, wrap your dark penis in cloth, your cousins or uncles maybe, where is [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">untranslatable voices on the Bagmati, the river a smog-trickle, they lift you roughly in your orange robe out of the white coffin, dip your smooth feet into the current of grey bilge, upstream a woman washes her feet, they touch your hair, wrap your dark penis in cloth, your cousins or uncles maybe, where is your mother, nobody weeps, a woman sneaks in close to take a pic of your face with her phone, in your pocket they find a note (a “to do” list?), they lay a torch at your throat, your thighs are ash, your robe a wing, &amp; as your toes boil I think of Joan &amp; monkeys hop &amp; slide across a temple roof, boys hock a loogie over the ghat, Nepali pop blares on a cheap radio, many witnesses along this bridge pigeons sail under, life is such a spectacle so why not death, your face fleshy, no promise of grey in your hair, basted in damp hay, washed in the Bagmati, under the smog sun, sadhus weaving among, stoned ghosts, cohorts of ghosts, thinking as stones think, dead to themselves, one dressed as Hanuman monkey god poses for pics, that which was dark &amp; alchemical in you turns to flies, butterflies, your thick hair smoke &amp; your eyes butterflies, the crowd too is smoke, your foot yellow in the pyre &amp; your thigh protrudes, your hand open, thin fingers, palm charred, &amp; two monkeys hump without love in the ford . . .</p>
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		<title>A History of Canadian Dreams: Blue Heaven, Nepal</title>
		<link>http://www.johnwallbarger.com/?p=291</link>
		<comments>http://www.johnwallbarger.com/?p=291#comments</comments>
		<pubDate>Thu, 08 Apr 2010 07:22:18 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=291</guid>
		<description><![CDATA[On a black motorcycle, the Indian model Bajaj “Pulsar,” on the Baglung Rajmarg road north of Pokhara, trying to concentrate on riding on the left side of the road, &#38; avoiding the chaotic traffic &#38; threading bicycles &#38; dusty fruitcarts &#38; cows &#38; goats &#38; water buffaloes. Everything stops for a Maoist demonstration. Baking under [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">On a black motorcycle, the Indian model Bajaj “Pulsar,” on the Baglung Rajmarg road north of Pokhara, trying to concentrate on riding on the left side of the road, &amp; avoiding the chaotic traffic &amp; threading bicycles &amp; dusty fruitcarts &amp; cows &amp; goats &amp; water buffaloes. Everything stops for a Maoist demonstration. Baking under the sun, families with umbrellas, mostly cheerful, some zealous kids waving red flags, cars with megaphones. The gung ho Maoists seized power &amp; became the ruling party in democratic Nepal in 2008. A few skinny soldiers, overheated in dirty blue-camo gear &amp; bullet-proof shields, escort alongside. I smoke one clove cigarette. Above the Seti River, in the garbage-strewn grass, I urinate. The river is grey, silty. Boys are fishing. One is waving up to us, yelling “Hello! Hello!” Wait, he’s not waving, he’s giving us the finger, &amp; making an X with his arms. What does the X mean? At the Pema Ts’al Sakya Tibetan monastery, near the awesome foggy Annapurna Himalayas, the monk Ngawang sits under a tree in simple red &amp; yellow robes reading a Nepali newspaper. He takes us on a tour of the classrooms. The monastery is new, constructed in 2005. Their temple is still under construction. Ngawang’s lama yells down to us in a cowboy hat from the temple roof, saying that we should stay in their guest house. Small bald children run back &amp; forth on the tiles, over the Endless Knot design. Exams are just over. On one of the chalkboards, a single word remains: “LUCK.” Just after dusk, at the Phewa  Lake at Pokhara, the last boats are floating back. We are smoking. The darkness is filled with creepers &amp; a stuttering generator. Fireflies drift past at eye level, small silent souls. On the morning bus back to Katmandu, dehydrated &amp; headachy from dust &amp; heat &amp; carbon monoxide, we stop for lunch at the Blue Heaven Restaurant. Buffet-eaters feast on Dal Bhat for 250 rupees. We munch on sour cream &amp; onion chips &amp; a coke, at a seat above a river. On the sandy shoal below, a dark naked woman struggles slowly to pull on her pants. Two boys point down at her, roll their eyes &amp; walk off. She pours sand over her black hair. As our bus pulls away, she arrives at the restaurant, breasts flapping loosely in her unbuttoned shirt. Tourists with Gilligan hats &amp; cameras &amp; orange drinks back away from her, as if from a grim apparition. She is about eighteen. The diesel bus labours uphill. I fall asleep, panting.</p>
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		<item>
		<title>The Stupa at Boudhanath</title>
		<link>http://www.johnwallbarger.com/?p=280</link>
		<comments>http://www.johnwallbarger.com/?p=280#comments</comments>
		<pubDate>Wed, 31 Mar 2010 14:33:59 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=280</guid>
		<description><![CDATA[Out of the ground emerges a big fucking egg, whose all-seeing eyes stare ferociously in the four living directions. Long lines of prayer flags bow in the storm wind, the sky darkening to a purple bruise. Rain soon. Pilgrims circle clockwise, spinning the ornate metal prayer wheels, some mindfully, some distracted, many in red Tibetan [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Out of the ground emerges a big fucking egg, whose all-seeing eyes stare ferociously in the four living directions. Long lines of prayer flags bow in the storm wind, the sky darkening to a purple bruise. Rain soon. Pilgrims circle clockwise, spinning the ornate metal prayer wheels, some mindfully, some distracted, many in red Tibetan robes, fingering mala beads, holding children, chatting on mobile phones, begging.</p>
<p style="text-align: left;">
<p style="text-align: left;">Like clock hands made of people, the rough living morass turns. Some westerners have that I-don’t-believe-in-anything-but-I-will-go-with-the-flow look, or the I-am-actually-a-deadly-serious-religious-guy look, or are just shopping at the perimeter shops (that’s me, I bought a mala). There is too the kindness of hands laid across a child’s head, the heartfelt <em>namaste</em>, soaked in rain, the open face of believers, thunder. To rediscover the joyful energy of children! The Tibetans twinkle, often smiling &amp; laughing. This is on a very old path out of Tibet. They’ve passed here for centuries, founding many monasteries nearby.</p>
<p style="text-align: left;">
<p style="text-align: left;">I need this place today. Last night I couldn’t sleep. My muscles are heavy, recovering from sickness. Despite my pissiness &amp; ingratitude &amp; shame, Luck finds me sipping masala tea, beside a flickering candle. Beyond all sense, She wants to forgive me, urgently, responding <em>Yes</em> to all my <em>No&#8217;s.</em> How can I let my sadness go, I ask Her, in this rain? How can I just be wet?</p>
<p style="text-align: left;">
<p style="text-align: left;">The sky grey &amp; powerful, raining steadily, sparked every few moments by branches of light, like bones of an x-ray, &amp; atrocious thunder. In overpowering incense, a Nepali covered in dirt is drunk &amp; wrestling an invisible bear. A motorcycle whizzes by on the red bricks, honking. Tiina is ecstatic, eyes big. We join the lovely circling parade &amp; are soaked. The hour when light changes every minute, every second. I have been suckled &amp; schooled on irony, so why do I like to see people <em>worship</em> so much? Just as the torrent begins, we reach the Double Dorjee restaurant &amp; duck into the candlelight for momos &amp; thukpa soup.</p>
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		<item>
		<title>How thankful you are for having clipped fingernails</title>
		<link>http://www.johnwallbarger.com/?p=272</link>
		<comments>http://www.johnwallbarger.com/?p=272#comments</comments>
		<pubDate>Tue, 23 Mar 2010 14:25:36 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[&#38; for your strangely vigorous health, on the night streets of Kathmandu, the city-village where electricity functions for just half the day, &#38; in the Thamel district there is no light after dusk but candles &#38; white-as-death fluorescence from solar generators choppy as dying helicopters &#38; the streets carry you through half-visible chaos of shops [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">&amp; for your strangely vigorous health, on the night streets of Kathmandu, the city-village where electricity functions for just half the day, &amp; in the Thamel district there is no light after dusk but candles &amp; white-as-death fluorescence from solar generators choppy as dying helicopters &amp; the streets carry you through half-visible chaos of shops &amp; rickshaws as if inside a warm ocean current, so many stars &amp; this bright moon delicate as a bird bone igniting the awesome Himalayas &amp; one spectral brown face speaking <em>Hello friend where you from you like smoke hash?</em> &amp; apartments decrepit &amp; ugly in daylight are now iconic, nightmarish, windows candlelit out-of-sync like a run-down stage set, a motorbike behind you shrieks &amp; its headlight casts an image of you against the wall, a long shadow three stories tall, not recognizably <em>you</em>, the cries of boys laughing &amp; a twang of badminton rackets beside a fire of plastic bags &amp; bottles &amp; grass &amp; garbage, one brown dog in the post-dry-season pulverized dirt watching the low flame with dark eyes, with the wisdom of a small sinless demon, as if it were about to say <em>All gestures made without heart will be revealed &amp; soon</em>, &amp; in the oily dark birds great in number dart before a woman on a balcony who rubs a white towel across her face, in brick-coloured air, ochred air, wild as candlelight flickering in the smoke of cloves &amp; incense, &amp; world-weary men sit in a tiny shop under one dusty bulb like a dying ember, &amp; boys sit in a silent circle, &amp; one man who might be asleep sits cross-legged in the gloom, as if he were Eros himself settled on the soil, &amp; you too sit knee-to-knee before the god who now holds the head of the city itself upright for you to examine its throat, the pulse on either side of the windpipe throbbing gently, &amp; a cold white light emanates from just behind your head like an invitation into the familiar swirling dream where you walk the dark stairs, up or down is not clear, light of a cigarette sucked on by a shadowy face lighting the whole Kathmandu Valley, &amp; the lord of death clown in blackface among, who won’t stop smiling over his frown.</p>
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		<title>&#8220;A single act of carelessness leads to the eternal loss of Beauty&#8221;</title>
		<link>http://www.johnwallbarger.com/?p=256</link>
		<comments>http://www.johnwallbarger.com/?p=256#comments</comments>
		<pubDate>Sun, 21 Mar 2010 14:39:07 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=256</guid>
		<description><![CDATA[This is how you say Do Not Touch in the Forbidden City, the Vatican City-like imperial township in the centre of Beijing, where the Chinese emperors of the Yuan, Ming, &#38; Qing Dynasties roosted for almost 700 years. In the movie “The Last Emperor,” the child runs through its Imperial Palace. Now it’s a museum, swarming [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">This is how you say <em>Do Not Touch </em>in the Forbidden City, the Vatican City-like imperial township in the centre of Beijing, where the Chinese emperors of the Yuan, Ming, &amp; Qing Dynasties roosted for almost 700 years. In the movie “The Last Emperor,” the child runs through its Imperial Palace. Now it’s a museum, swarming with the denizens who were once shut out of its royal walls. Framed by the rhetoric of the state, the archaic sites inside—“Supreme Harmony Hall” &amp; “Heavenly Purity Gate,” like dioramas behind glass, untouched for epochs—are quaint curios of the past, leading up to the glorious triumphs of the revolution. “Cultural relics are irretrievable, please be causeful when viewing them,” says a sign.</p>
<p style="text-align: left;">At its main Tiananmen Gate hangs a banner with the glacial visage of Mao Tsetung. (I open up my shiny new copy of Mao’s red book &amp; read, <em>Everything reactionary is the same; if you don’t hit it, it won’t fall. This is also like sweeping the floor; as a rule, where the broom does not reach, the dust will not vanish of itself</em>.) Across the street, Tiananmen Square is the biggest &amp; ugliest piazza on earth. It strangulates. So much walking space, but all made of oppressive brutalist concrete. The opposite of freedom: raw power. Architecturally, it’s a kind of cult classic in the tradition of “Casablanca,” piecing together archetypal clichés from a slew of cultures: an Egyptian-style obelisk (“Monument to the People’s Heroes”), Russian-style statues of communist proles (in front of Mao’s huge mausoleum), Corinthian columns, &amp; sixteen giant red flags à la the Nuremberg rallies. The result is Orwell’s “boot stamping on a human face—forever.”</p>
<p style="text-align: left;">People are the same everywhere, no? We try to be kind. We try to be brave. We are fragile. A single act of carelessness ruins us. But politicos &amp; their bureaucrats are also (usually) the same everywhere. We begin to believe in Big Ideas. We are offered compensation for compromise. We learn to sleep beside our own inhumanity. The Beijing Patriotic Health Campaign Committee suggests—blithely, ubiquitously—that we <em>Do Not Smoke</em>, although we have all of us witnessed, at the margins of the Chinese capital, the far-flung waste produced by the state &amp; its nuclear smokestacks.</p>
<p style="text-align: left;">On the streets, military is pandemic. Boys in oversized green stormtrooper coats, waists like ballerinas, stand at attention in doorways, on pedestals, under flags. Around them, on the streets of the bright lovely <em>Xuan Wu </em>district, kids with Green Day hair wave Maoist red flags for digital pics while holding up two fingers sideways like Ali G. A man with an irretrievable expression drifts past clicking together two walnuts in his left palm. Electric scooters &amp; bicycles wind among the people in constellations of silence.</p>
<p style="text-align: left;">Acrid smoke, pork tang in smog, burnt soy sauce, sulfur, grilled chicken stinging the eyes, dust. Red lanterns behind a grey gauzy lens, rice paper windows. Temple roofs curved to ward off the evil of straight lines. O’erhanging eaves, red tiles, roof charms. A high-pitched scream, eternal loss. Dogs in doorways, dumplings. Loud spitting. In the stones, imperial dragons. A bronze lion. Crouching tiger with a bright pearl in its mouth. In the walking tunnel under Tiananmen Square, a man low on his knees, left hand missing. Bowing <em>so </em>slowly, up &amp; down. Causeful.</p>
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		<item>
		<title>Dusks</title>
		<link>http://www.johnwallbarger.com/?p=238</link>
		<comments>http://www.johnwallbarger.com/?p=238#comments</comments>
		<pubDate>Tue, 16 Mar 2010 07:16:54 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
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		<guid isPermaLink="false">http://www.johnwallbarger.com/?p=238</guid>
		<description><![CDATA[lightheaded; throbbing; serpentine; child after a tantrum; roadkill, just alive, a raccoon, that sound; touch of the scythe on the back of the neck; the songs of every tongue, especially those delirious &#38; cruel; the Dalai Lama as a boy, his eyes &#38; purple scarf; chestnut smoke; a god from Caravaggio, there will never be [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">lightheaded; throbbing; serpentine; child after a tantrum; roadkill, just alive, a raccoon, that sound; touch of the scythe on the back of the neck; the songs of every tongue, especially those delirious &amp; cruel; the Dalai Lama as a boy, his eyes &amp; purple scarf; chestnut smoke; a god from Caravaggio, there will never be silver in his hair; my grandma’s perfume (<em>Charlie</em>); a plane falling toward a mountain; a father who will not hurry through the airport, though the plane is leaving; the scent of every being who is having sex on this earth; if there will be another day it will not tell; the unspeakably beautiful girl who locks eyes with you but will not speak when spoken to; the first touch of vodka on the tongue, &amp; what the tongue does, bitter willingness; the face of the old Japanese man sitting cross-legged over the <em>Foro Romano</em> at night; a lover’s voice on the phone or first thing in the morning, which you admit though you can’t place yet who it is; flush in the cheeks of an unmarried aunt; a greeneyed boy at a party, reading Celan in French at the window; a train passes in arrant dark or a dog dripping with blood nears the fire or a genius epileptic with blood around the mouth opens his coat &amp; you say &#8220;Anything&#8221;; a little girl walks still sleeping out of her room down the stairs &amp; circles her house over &amp; over in a slow line with seven wolves; when I woke it was not from this particular dream, &amp; the pathway back to it was not clear &#8230;</p>
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		<title>Elsentasarhai, Mongolia</title>
		<link>http://www.johnwallbarger.com/?p=217</link>
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		<pubDate>Sat, 13 Mar 2010 12:37:31 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
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		<description><![CDATA[From the hindquarters of the goat that kneels in the cold shade a black liquid sac slips onto the shit &#38; dirt where the goat licks it &#38; it drains like bile like anger to reveal itself as a dim squirming thing with tiny bright white hooves &#38; bleating. Still being licked it crawls off [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">From the hindquarters of the goat that kneels in the cold shade a black liquid sac slips onto the shit &amp; dirt where the goat licks it &amp; it drains like bile like anger to reveal itself as a dim squirming thing with tiny bright white hooves &amp; bleating. Still being licked it crawls off gimping on its four broken bird’s legs uphill from the wet steaming spot as if from shame while from the fur above another black sac drops.</p>
<p style="text-align: left;">
<p style="text-align: left;">A long wide snowy valley ringed by mountains sharp &amp; low, like the great open jaws of a dead god. Inga is our imperturbable guide/cook &amp; Tascar is our driver, steering the Range Rover though the snowdrifts &amp; endless swirling non-roads with loose precision. We stay overnight with a nomadic goatherd family whose lovely <em>ger</em> (yurt) glows at sundown like a little white circus tent. The mother &amp; father wear the traditional long robes (<em>deel</em>) &amp; golden sashes (<em>bus</em>). Their toddler girl chases down newborn sheep &amp; goats &amp; hauls them around with round-faced glee.</p>
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<p style="text-align: left;">Cold springtime! Severed goat hooves in the dirt. Vertebrae &amp; horns &amp; all variety of animal bits are scattered about among discarded Sprite bottles &amp; new-age waste. A few cows &amp; horses lie frozen &amp; arched, half-covered by duvets of snow.</p>
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<p style="text-align: left;">Days blend. On the road there’s nobody for hours. Now &amp; then a hawk seated beside the road. We veer around two monks sitting cross-legged on the asphalt. A man speeds past in the snow on a low-powered motorcycle, fur gloves fixed to the handlebars, in his <em>deel</em> &amp; <em>bus</em> &amp; ornate hat as if he’d just buzzed out of the 12th century. On the <em>Ogii</em> Lake, ragged snowdrifts like the bleached &amp; smashed mandibles of goats. Ice fishermen in the distance. Blue Buddhist ribbons wrapped around frigid trees. The ice creaks wetly, <em>bleerk</em>, <em>bleerk</em>, <em>blaark</em>. I am worn out. My knee is twisted &amp; swollen. I lost my favorite ring.</p>
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<p style="text-align: left;">Inside a <em>ger</em>, women feed the stove with dung. On a solar-powered black &amp; white TV, the famous Mongolian sumo wrestler Asashōryū Akinori—ancient, unsmiling, like a late Marlon Brando—has returned from Japan &amp; holds forth to reporters in an eloquent whisper. We are spectres under the oculus, in smoky blue-grey dusk. Inga, after speaking to her boyfriend who’s in Korea, sits by herself in the starry dark in her fur hat, singing softly. All night the goats cry like baby humans.</p>
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<p style="text-align: left;">Hills of frozen animals along the road attest to the coldest winter in fifty years. On the vast grey plains, under mountains  that will never unthaw, a cow wearing a leather blanket grazes beside the corpses of her dead ancestors. Starlings crisscross like whims. Ravens, mock-khaans of this bright inferno, prance atop a pile of horses trussed in a motionless gallop, as if straining to haul themselves out of this white sea of death.</p>
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		<title>Train where are you taking us? Transsiberia. Is that a place?</title>
		<link>http://www.johnwallbarger.com/?p=201</link>
		<comments>http://www.johnwallbarger.com/?p=201#comments</comments>
		<pubDate>Sun, 07 Mar 2010 15:57:08 +0000</pubDate>
		<dc:creator>John Wall Barger</dc:creator>
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		<description><![CDATA[Four &#38; a half days on the great pea-green viper (No. 004, Chinese: Yingwoche, sixteen cars long, Moscow to Ulan Bator, Mongolia, thus far) is just long enough to forget there’s any destination at all. My Finnish friend Tiina &#38; I find ourselves in a tourist carriage jammed with northern Europeans with rucksacks full of [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Four &amp; a half days on the great pea-green viper (No. 004, Chinese: <em>Yingwoche</em>, sixteen cars long, Moscow to Ulan Bator, Mongolia, thus far) is just long enough to forget there’s any destination at all. My Finnish friend Tiina &amp; I find ourselves in a tourist carriage jammed with northern Europeans with rucksacks full of vodka &amp; drinking games &amp; songs &amp; Nordic good cheer. The Chinese major-domo sips tea. He shells sunflower seeds, brushing his black hair at his little windowside table.</p>
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<p style="text-align: left;">The Chinese major-domo will not smile but presides over our dreams with grace, shelling dreams, a retainer of the underworld, on this single endless passageway. Our Kafka, our Dalì, our Murakami. He transcribes my rêve, the one about breathing underwater, into his log. He scowls over the sink, elbow-deep in pig viscera.</p>
<p style="text-align: left;">
<p style="text-align: left;">In daytime the dream brightens, but veiled. We pull out of the turquoise Omsk station, pass its broken-legged grain elevators, its old women sweeping snow with their armfuls of sticks. Countless towns of great fuel tanks like the discarded coffee cups of gods. Dmitri, lonesome &amp; hammered, smashes the small table with his fist &amp; roars “это нормально!” soaking one of the Dutch girls with gherkin juice. The tall birch trees of Kirov reach for heaven but give up part way. We do not have enough blood to stain this snow, not all of it.</p>
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<p style="text-align: left;">It’s a mistake to think of the train on a single track, or that we are moving through time, or that we are moving at all. We’re so still it’s unbearable. Thus the fantasy of such fluid movement, in which we take childlike joy, like birthing or breathing that rocks us to sleep &amp; permits us to enter our dreams as through a door left ajar by the Chinese major-domo. It’s a mistake to think the train exists in space. It provides us with the blur-line of snow because that is all we can comprehend. If you hear a baby crying or a chicken skreighing behind a door, ignore them, ignore all the cubbyholes of lovers, card-players, shadowy readers, whispering quarrelers, the way you might ignore one of your own chaotic or murderous thoughts.</p>
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<p style="text-align: left;">Suddenly a frozen river, the scroll unfolds, eternity, still as ever. But <em>we</em> shake, the samovar drips, the moon rises over the tall hats of<strong> </strong>Krasnoyarsk. And, as everywhere, technology is mankind’s imbecil. Men huddle before an oil tank, before a lime-green power shack. Electrical poles, our mute witnesses, arms broken, die in the snow. In Novosibirsk, tinny speakers bleat the ontology of discipline.</p>
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<p style="text-align: left;">The rusted stairs of Tyumen! Potato <em>piroshki</em> five roubles. Lumber, lumber, lumber. Shaving is hard, water freezing. Snow collects between cars. Houses yellow as the constant toilet urine. The snowy roofs of Angarsk! The green fences of Ilanskaya! The train thinks for us, works for us, like a prophet, &amp; we do not thank it or even notice. We who are separate, scared, tired, lonely, clean. Too clean. The train asks us, How did you get this clean? Our melancholy, we say. Our delight. <em>Boo-huh, </em>it breathes, <em>boo-huh, boo-huh . . .</em></p>
<p style="text-align: left;">
<p style="text-align: left;">Imagining there <em>is </em>a train is a misconception. Yet on Day Three you have always been inside it &amp; it breathes, drifts away from a sunset bleak as if the man you loved had vanished around a corner, or had never existed. They are rolling bones in the next cabin, you can feel it, the sky yellow, almost-white, going blue. Pink. Grey. Purple. When the stars appear colour drains. Snow falls like nothingness, leaving houses grey &amp; shrunken, infinite cobalt blue. The referent vanishes &amp; all you believed to be true is true, &amp; near.</p>
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